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Author Magdaléna Platzová and translator Alex Zucker discuss Life After Kafka in Air/Light.
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I can’t pretend to know the future of publishing, but I can testify to the astuteness of the staff at Bellevue Literary Press.
— Karen Long, Cleveland Plain Dealer
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It had never dawned on me to send my debut novel, Ghost Moth, to the US, but in 2011, as part of Dublin Writers’ Festival, I attended a workshop with the American author Paul Harding. Harding is the author whose quiet, contemplative debut novel, Tinkers, nobody wanted. He’s also the author who went on to win, with that same quiet novel, the Pulitzer Prize for Fiction after it had been published by Bellevue Literary Press, in New York. So, after 38 rejections from agents in the UK and Ireland, I metaphorically brushed the coal dust off my manuscript, popped it in a fresh brown envelope and set it sailing off across the Atlantic. A few weeks later Bellevue offered to publish it. Being agentless—not that I’d planned it that way—meant that I had to navigate my own way through the publishing process, but being with a small and prestigious press you’ll always get talking to the person you want to. (from the Irish Times)
Award Winning Titles
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Bessora and Barroux’s Alpha: Abidjan to Paris is a beautifully told and illustrated graphic novel humanizing the urgent migrant crisis.