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Vicente Luis Mora talks to his translator Rahul Bery about the making of Centroeuropa at Pittsburgh Review of Books, and Bery shares more about the challenges he undertook bringing the novel (and its audacious structure) to English-language readers at Literary Hub.
[A] popular refuge for well-regarded authors. . . . At a time when publishers increasingly see books as products and need to be convinced of their chances of selling at least 25,000 copies, Bellevue Literary Press thinks smaller and aims higher.
— Gale Scott, Crain’s New York Business
From Our Authors
It had never dawned on me to send my debut novel, Ghost Moth, to the US, but in 2011, as part of Dublin Writers’ Festival, I attended a workshop with the American author Paul Harding. Harding is the author whose quiet, contemplative debut novel, Tinkers, nobody wanted. He’s also the author who went on to win, with that same quiet novel, the Pulitzer Prize for Fiction after it had been published by Bellevue Literary Press, in New York. So, after 38 rejections from agents in the UK and Ireland, I metaphorically brushed the coal dust off my manuscript, popped it in a fresh brown envelope and set it sailing off across the Atlantic. A few weeks later Bellevue offered to publish it. Being agentless—not that I’d planned it that way—meant that I had to navigate my own way through the publishing process, but being with a small and prestigious press you’ll always get talking to the person you want to. (from the Irish Times)
Award Winning Titles
Global capitalism fails young Barcelona couples in this dynamic English-language debut story collection by rising Catalan literary star Jordi Nopca.