“Into the lives of a quiet upper-class professional family in Manhattan comes a new nanny, young Maeve from Ireland: suddenly the air is charged with erotic intensity. The mildness was all illusion: soon our central characters are all wreaking heavy damage upon one another. Toma draws his world with Cheeverian nuance and flair; he’s deeply insightful about the new American culture of ‘watchers’—but to me his greatest skill is his ability to summon pure terror.”
George Dawes Green, author of The Caveman’s Valentine, The Juror, and Ravens
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“Look at Us is a scrupulous dissection of a contemporary marriage in mortal peril. It’s also a wild ride of a novel, gorgeously written, by turns comic, lyrical, elegiac, disturbing, and profound. I couldn’t put it down until the startling conclusion, which arrived with such force I gasped. What a vision! Intense and chilling. Not to be missed.”
Valerie Martin, author of Property and I Give It to You
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“This book holds truths of all kinds—private, studied, euphoric, libidinal, and unbecoming—each one a revelation.”
Jackie Polzin, author of Brood
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“[Look at Us] is frank and unflinching about desire, sexual dysfunction and the gulfs that can separate even the most intimate of partners. . . . A daring effort.”
New York Times Book Review
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“Approaches psychological boundaries with a boldness and variety rarely seen in contemporary fiction.”
Review Americana
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“Riveting. . . . Toma is excellent at looking intensely below the superficial and the unspoken, and his lucid style and cool tone add power to the story. The twists and turns of this contemporary morality play will have readers engrossed.”
Publishers Weekly
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“This literary novel will appeal to folks who like it a little steamy.”
Booklist
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“Captivating. . . . [Look at Us] looks at the inner working of a marriage and the things that threaten it, including sexual frustrations that can crop up in a monogamous relationship. The ending is unsettling and memorable.”
Andrienne Cruz, Azusa City Library (Azusa, CA)
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“Toma writes beautifully. [Look at Us] is warts-and-all, dark, and unsettling.”
Carol Ann Tack, Merrick Library (Merrick, NY)
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Martin, a market analyst, and Lily, a corporate attorney, have a life that many would envy—they share an expensive New York apartment with their twin toddlers, sample the delicacies of Manhattan’s finest restaurants, and take Caribbean vacations. But when the couple’s nanny announces her imminent departure, they panic: how will they ever find a replacement capable of managing their spirited boys? Enter Maeve, a young Irish émigré. Neither of them imagines how indispensable she will become, either to the household or to their marriage. As the family’s domestic bliss takes an unexpected turn, a different type of intimacy evolves, leading to an explosive finale.
A captivating, trenchant portrait of class and sexual dynamics, Look at Us reveals just how fragile our social arrangements really are.
