160 pages

Trade Paper

List Price US $14.95
ISBN: 9781934137826


ISBN: 9781934137833

Share on Goodreads

“A moving, reflective, and humbly resounding work of fiction. . . . Monastery, with its beautiful prose, vibrant imagery, and singular outlook on the abundance of individual and shared experience, deserves to win this year’s Best Translated Book Award. As an ambassador of both worldly wonder and sublime storytelling, Eduardo Halfon’s Monastery, despite its brevity, is truly a marvel.”

Best Translated Book Award Longlist citation

( link)
see more reviews hide reviews

“Offer[s] surprise and revelation at every turn.”

Reader’s Digest

( link)

“One senses Kafka’s ghost, along with Bolaño’s, lingering in the shadows.”

New York Review of Books

( link)

“Intelligent and authentic.”

Jewish Book Council

( link)

Monastery, which looks at Guatemala and the world from the divided perspective of a Jew and Guatemalan [displays] a constantly surprising sensitivity, even tenderness toward both worlds and the ways they resonate even when they appear deaf to each other. . . . In the admirable translation by Lisa Dillman and Daniel Hahn, the idiomatic, contemporary American English voice comes across as innate to this cosmopolitan narrator, without losing all its Spanishness.”

The Common

( link)

“Call it a confirmation bias. Everywhere I turned this year, I saw a new expression of Arab Jewish identity. The revival seems to be happening across all fields—literature, food, music—yet somehow nobody’s talking about it. . . . Imagine my excitement, then, when I discovered Eduardo Halfon’s new novel, Monastery, in which the conflicted, tragicomic protagonist denies his Arab identity when talking to certain Jews, and his Jewish identity when talking to certain Arabs.”

Jewish Daily Forward

( link)

“[The protagonist] may be the perpetual wanderer, but his meditations are focused and absorbing.”

Library Journal Indie Fiction in Translation of the Year citation

( link)

“Halfon gives voice to a lesser-known sector of the Jewish diaspora, reminding us in the process of the ways in which identity is both fluid and immutable.”

Publishers Weekly

( link)

“[A] sly, quietly penetrating account of life on the road. . . . One of [Halfon’s] special attributes is never forcing meaning on his experiences. . . . But he’s also great at reversing our initial impressions of people and places. . . . A rising star among Latin writers, Halfon is a lively traveling companion.”

Kirkus Reviews

( link)

“In this enigmatic follow-up to Halfon’s lovely The Polish Boxer, readers follow the same narrator as he journeys around Central America, Europe, and Israel. . . . As if slowly filling in negative space, Halfon gradually gives shape to the uneasy relationship he has with his own allegiances and heritage as well as the outsider position he occupies wherever he goes, even within his own country. A subtle work that defies easy categorization in the best way.”


“If I were still a bookseller, I’d happily place [Monastery] in your hands and say, ‘You’ve got to read th[is]!’”

Shelf Awareness for Readers

( link)

“[Monastery] is about family and love and confusion, about being together and alone, about identity and all that entails. It’s about having faith in who we are and in who we might be and even in who we (or others) might say we are. It’s about losing that faith or rediscovering it or worrying we’ll never have it. . . . Halfon’s writing is rich . . . beautiful and of course, True.”


( link)

“[Monastery is] filled with the stuff of life. . . . Halfon’s talent is to take these seemingly ‘insignificant’ details and make them immensely human and make the reader think, taking the reader places he/she will not expect to go; and he does it with such grace you can’t help but be pulled along and become immersed in it.”


( link)

“Much like his wispy, smoke-filled covers, Eduardo Halfon’s writing has an ephemeral quality that is both wondrous and intriguing. In Monastery, the same mysterious narrator as in Halfon’s previous work, The Polish Boxer, returns to lead us once again on nomadic travels through time and place.”

Shawn Donley, Powell’s Books (Portland, OR)

( link)

“Prismatically expands the possibilities for interpretation. . . . Detachment and dislocation have rarely been so well depicted as this.”

James Crossley, Island Books (Mercer Island, WA) at Three Percent

( link)

“Written as linked recollections, the stories in Monastery divulge a man who introduces himself not with who he is but through what he cares to know about someone else.”

Todd Wellman, Boswell Book Company (Milwaukee, WI)

In Monastery, the nomadic narrator of Eduardo Halfon’s critically-acclaimed The Polish Boxer returns to travel from Guatemalan cities, villages, coffee plantations, and border towns to a private jazz concert in New York’s Harlem, a former German U-Boat base on the French Breton coast, and Israel, where he escapes from his sister’s Orthodox Jewish wedding into an erotic adventure with the enigmatic Tamara. His passing encounters are unforgettable; his relationships, problematic. At once a world citizen and a writer who mistrusts the power of language, he is pursued by history’s ghosts and unanswerable questions. He is a cartographer of identity on a compelling journey to an uncertain destination. As he draws and redraws his boundaries, he confronts us with the limitations of our own.

In consultation with the author, Monastery was translated from the Spanish by Lisa Dillman and Daniel Hahn, both of whom also contributed to the translations of The Polish Boxer and Mourning.

Best Translated Book Award Longlist

Reader’s Digest Great New Book

World Literature Today Holiday Gift Guide Recommendation

Jewish Journal Noteworthy Book for the New Year

Shelf Awareness World Literature: Booksellers Recommend selection

Library Journal Indie Fiction in Translation: Don’t-Miss Titles from Around the World

Jewish Book Council Weekly Recommended Read

Excerpt from Monastery

Read excerpts from Eduardo Halfon’s Monastery in Shelf Unbound (p. 34); White Review; Words Without Borders; and on the PEN American Center website.

Read an NPR interview with Eduardo Halfon, then tune in to NPR’s Alt.Latino to hear him spin tunes and talk about Guatemala, Latin American cultural identity, jazz, writing, living in Florida and Nebraska, the influence of Bob Dylan, and much more.

Eduardo Halfon talks about his life and work with Asymptote Journal, Latin American Literature Today, Jewish Journal, and Electric Literature; on the BBC program The Strand; and in these videos from the City of Asylum/Pittsburgh’s “Writer’s Block” series and the UNESCO City of Literature “On the Fly: Writers on Writing” series.

Find out why Eduardo Halfon says he’s “only writing one book, and everything I publish along the way is just part of it” in a Shelf Awareness feature about the different ways Halfon and Andrés Neuman approach the art of fiction.

Find out what happens when Eduardo Halfon stops by BookCourt to sign copies of Monastery.